Uncertainty and Lostness

By Barry Schwabsky

Endnotes

  1. M.B. [Mel Bochner], “Reviews: In the Galleries,” Arts Magazine XL 7 (May 1966), p. 61.
  2. Edward W. Said, Beginnings: Intention and Method (New York: Columbia University Press, 1975), p. 43.
  3. Roland Barthes, New Critical Essays, tr. by Richard Howard (New York: Hill and Wang, 1980), p. 80.
  4. Said, Beginnings, p. 320.
  5. Edward W. Said, Joseph Conrad and the Fiction of Autobiography (New York: Columbia University Press, 2008), p. 3.
  6. Said, Conrad, p. 11.
  7. Duchamp in Time magazine, March 10, 1952, quoted in Robert Andrews, The Columbia Dictionary of Quotations (New York: Columbia University Press, 1993), p. 135.
  8. Miriam Said, Foreword to Edward W. Said, On Late Style: Music and Literature Against the Grain (New York: Pantheon Books, 2006), p. vii-viii.
  9. Said, Late Style, p. 3.
  10. Edward W. Said, Music at the Limits (New York: Columbia University Press, 2008), p. 52.
  11. Rudolf Arnheim, New Essays on the Psychology of Art (Berkeley: University of California Press, 1986) p. 285.
  12. Arnheim, New Essays, p. 286.
  13. Said, Limits, p. 52.
  14. Frank O’Hara, Art Chronicles 1954-1966 (New York: George Braziller, 1975) p. 94.
  15. Said, Limits, p. 54.
  16. Said, Limits, p. 55.
  17. Said, Limits, p. 56.
  18. Said, Limits, p.56.
  19. Svetlana Boym, Death in Quotation Marks: Cultural Myths of the Modern Poet (Cambridge: Harvard University Press, 1991), p. 4.
  20. Said, Limits, p. 56.
  21. Noelle Bodick, “’80s Art Star Eric Fischl on How Artists Can Find Their Second Act,” Artspace, July 5, 2014, http://www.artspace.com/magazine/interviews_features/eric-fischl-interview.
  22. Said, Limits, p. 56.
  23. Said, Limits, p. 56.
  24. Granta 8: Dirty Realism (Summer 1983), http://www.granta.com/Archive/8; but see also Fredric Jameson, The Seeds of Time (New York: Columbia University Press, 1994).